The Moog Sub Phatty

The Sub Phatty’s filter includes the transformative new Multidrive circuit, a combination of OTA distortion and FET drive. At low settings, Multidrive adds warmth and width; when pushed, it delivers ‘a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level’.

Users can access a total of 16 definable presets via the 4×4 preset matrix on the Sub Phatty’s front panel. This matrix also doubles as a control panel for the instrument’s ‘subcutaneous nerve center’ — users can select filter poles, set pitch bend amounts, toggle between legato glide modes, and more. These functions can also be accessed via the included Sub Phatty standalone/plugin editor.

The configuration of the Sub Phatty’s mixer section allows users to easily determine, at any given moment, which sources overdrive the filter and which simply pass through it. The mixer section further hosts controls for a square wave sub oscillator; those operating the Sub Phatty can utilize this tool as a third oscillator for added depth, or to craft monstrous Moog bass. Also in the mixer section is a noise generator, voiced to deliver rich, punchy low-frequency content, designed for analog percussion and sound effects.

Key Features:

• ‘Vintage’ Moog sound
• 25 Keys, 31 knobs and 13 switch controls
• Multidrive circuit technology for a gritty, saturated distortion
• Powerful square wave sub oscillator for deep thick bass tones
• Bold unique voice