The Moog Grandmother is a semi-modular analog synthesizer built around the circuits and character of the classic Moog modular systems that came before it. Its sound engine, modulation engine, and onboard spring reverb tank are completely analog, delivering the rich, unmistakable Moog tone in an instrument that’s inviting for beginners yet deep enough for seasoned sound designers. Play it straight out of the box as a two-oscillator monosynth, or dive into its 41-point patchbay for a fully modular playground.
At the heart of the Grandmother sit two analog oscillators, each with its own octave and waveform selector (triangle, sawtooth, square, and pulse). Oscillator 2 can be detuned or hard-synced to Oscillator 1 for gritty, aggressive textures, and a white noise generator plus a 1/4″ external input round out the sound sources.
Shape your tone with Moog’s legendary -24dB/octave Low Pass Ladder Filter, complete with self-oscillating resonance across a 10 Hz–20 kHz range. A patchable -6dB/octave High Pass Filter opens the door to custom bandpass sounds and even more harmonic sculpting.
An all-analog ADSR envelope handles everything from tight, punchy plucks to swelling pads. A wide-range analog LFO with a sync input and sample/hold output stretches well into audio rate, giving you dynamic, evolving modulation that’s ready to patch anywhere you like.
The Grandmother features a real 6-inch analog spring reverb tank — not a digital emulation — for a deep, dark, one-of-a-kind ambience. It has its own Eurorack-compatible input and output, so you can even use the reverb as a standalone effect for other instruments and sound sources.
A velocity-sensing 32-note Fatar keyboard puts expressive playing at your fingertips, alongside pitch bend and mod wheels plus variable glide. The onboard arpeggiator makes it easy to bring patterns to life instantly.
Record and store up to three sequences of up to 256 notes each, right inside the instrument — perfect for building loops, phrases, and full performances without any external gear.
With 41 patch points (21 inputs, 16 outputs, plus a parallel-wired 4-jack mult), the Grandmother is fully patchable but never requires patching to make sound. It’s Eurorack-compatible and plays beautifully alongside the Mother-32, DFAM, Subharmonicon, and other modular systems, so it can grow with your rig for years.
Semi-modular, monophonic analog synthesizer with classic Moog sound
Two analog oscillators with selectable waveforms and hard sync, plus a white noise generator
Classic 4-pole (-24dB/octave) Moog Ladder Filter with self-oscillating resonance
Patchable 1-pole (-6dB/octave) high-pass filter
Analog ADSR envelope and wide-range analog LFO with sync input and S/H output
Real 6-inch analog spring reverb tank (usable on external signals)
32-note velocity-sensing Fatar keyboard with arpeggiator
Step sequencer: 3 sequences, up to 256 notes each
41 patch points, Eurorack-compatible, works with Mother-32, DFAM, and more
Type: Semi-modular analog synthesizer, monophonic
Sound sources: 2 analog VCOs, white noise generator, external input
Filters: -24dB/octave low-pass ladder (self-oscillating) + patchable -6dB/octave high-pass
Envelope: Four-stage ADSR
Modulation: Wide-range analog LFO with sync input and sample/hold output
Effects: 6-inch analog spring reverb tank
32 full-size velocity-sensing keys
Pitch bend, mod wheel, variable glide
Arpeggiator and 256-note step sequencer (3 sequences)
1/4″ external audio input; 1/4″ main/headphone output; 1/8″ Eurorack and reverb I/O
MIDI In/Out/Thru (5-pin DIN) and USB MIDI
41 patch points: 21 inputs, 16 outputs, plus 4-jack mult
Power: 12V DC, 2A (power supply included)
Dimensions: approx. 23″ W x 14.25″ D x 5.5″ H (548 x 362 x 140 mm)
Weight: approx. 7.25 kg (16 lbs)
| Weight | 16 lbs |
|---|---|
| Dimensions | 14.25 × 23.0 × 5.5 in |
| Product Condition | USED, NEW |
Typically ships within 5-7 days


The Moog Grandmother is a semi-modular analog synthesizer built around the circuits and character of the classic Moog modular systems that came before it. Its sound engine, modulation engine, and onboard spring reverb tank are completely analog, delivering the rich, unmistakable Moog tone in an instrument that’s inviting for beginners yet deep enough for seasoned sound designers. Play it straight out of the box as a two-oscillator monosynth, or dive into its 41-point patchbay for a fully modular playground.
At the heart of the Grandmother sit two analog oscillators, each with its own octave and waveform selector (triangle, sawtooth, square, and pulse). Oscillator 2 can be detuned or hard-synced to Oscillator 1 for gritty, aggressive textures, and a white noise generator plus a 1/4″ external input round out the sound sources.
Shape your tone with Moog’s legendary -24dB/octave Low Pass Ladder Filter, complete with self-oscillating resonance across a 10 Hz–20 kHz range. A patchable -6dB/octave High Pass Filter opens the door to custom bandpass sounds and even more harmonic sculpting.
An all-analog ADSR envelope handles everything from tight, punchy plucks to swelling pads. A wide-range analog LFO with a sync input and sample/hold output stretches well into audio rate, giving you dynamic, evolving modulation that’s ready to patch anywhere you like.
The Grandmother features a real 6-inch analog spring reverb tank — not a digital emulation — for a deep, dark, one-of-a-kind ambience. It has its own Eurorack-compatible input and output, so you can even use the reverb as a standalone effect for other instruments and sound sources.
A velocity-sensing 32-note Fatar keyboard puts expressive playing at your fingertips, alongside pitch bend and mod wheels plus variable glide. The onboard arpeggiator makes it easy to bring patterns to life instantly.
Record and store up to three sequences of up to 256 notes each, right inside the instrument — perfect for building loops, phrases, and full performances without any external gear.
With 41 patch points (21 inputs, 16 outputs, plus a parallel-wired 4-jack mult), the Grandmother is fully patchable but never requires patching to make sound. It’s Eurorack-compatible and plays beautifully alongside the Mother-32, DFAM, Subharmonicon, and other modular systems, so it can grow with your rig for years.
Semi-modular, monophonic analog synthesizer with classic Moog sound
Two analog oscillators with selectable waveforms and hard sync, plus a white noise generator
Classic 4-pole (-24dB/octave) Moog Ladder Filter with self-oscillating resonance
Patchable 1-pole (-6dB/octave) high-pass filter
Analog ADSR envelope and wide-range analog LFO with sync input and S/H output
Real 6-inch analog spring reverb tank (usable on external signals)
32-note velocity-sensing Fatar keyboard with arpeggiator
Step sequencer: 3 sequences, up to 256 notes each
41 patch points, Eurorack-compatible, works with Mother-32, DFAM, and more
Type: Semi-modular analog synthesizer, monophonic
Sound sources: 2 analog VCOs, white noise generator, external input
Filters: -24dB/octave low-pass ladder (self-oscillating) + patchable -6dB/octave high-pass
Envelope: Four-stage ADSR
Modulation: Wide-range analog LFO with sync input and sample/hold output
Effects: 6-inch analog spring reverb tank
32 full-size velocity-sensing keys
Pitch bend, mod wheel, variable glide
Arpeggiator and 256-note step sequencer (3 sequences)
1/4″ external audio input; 1/4″ main/headphone output; 1/8″ Eurorack and reverb I/O
MIDI In/Out/Thru (5-pin DIN) and USB MIDI
41 patch points: 21 inputs, 16 outputs, plus 4-jack mult
Power: 12V DC, 2A (power supply included)
Dimensions: approx. 23″ W x 14.25″ D x 5.5″ H (548 x 362 x 140 mm)
Weight: approx. 7.25 kg (16 lbs)
| Weight | 16 lbs |
|---|---|
| Dimensions | 14.25 × 23.0 × 5.5 in |
| Product Condition | USED, NEW |
You're currently borrowing this item. To buy the one you already have, click "Go to My Borrow List" and purchase it there. Want another one for some reason? Contact us directly and we'll help!
X