The Chase Bliss Lost + Found is the company’s first true multi-effect pedal — twelve stereo effects, two independent channels, and 144 ways to combine them. It’s less a utility box than a collection of curiosities: phasing resonators, distant synths, swelling octaves, granular delays, and a handful of textures you won’t find anywhere else.
This is the 2026 edition in the black confetti finish, part of the Small Batch Bliss line of made-to-order special editions, and it ships with the 2.0 firmware that restores the overdriven voicing for the Sympathetic Resonator.
Each channel has a six-position toggle, and the Modify knob picks the A or B effect within it. Turn Modify counter-clockwise for one algorithm, clockwise for the other, or leave it at noon to bypass the engine and use Glue on its own. The left side covers Reverb (Slow-verb, Useful Ambience), Pitch (Orchestral Swell, Pitch Repeater) and Warp (Pinging Phaser, Spectral Modulator). The right side covers Delay (Tape Echo, Grain Tumbler), Synth (Impulse Synthesizer, Sympathetic Resonator) and Bend (Ensemble Expander, Gen Lite).
Run the two channels in parallel or in either series order, blend between them, and let Spill push your dry signal into the second engine. Glue, a compressor and saturator at the end of the chain, either finishes things off politely or blows them apart. Dip switches let you copy one channel’s bank to the other, so you can stack two delays, two reverbs, or two of anything.
True stereo in and out makes this an easy anchor for an ambient board, a synth chain, or a studio send, and MISO handles mono-in to stereo-out for a standard guitar rig. For players trying to replace three or four boutique boxes with one pedal, the 144 combinations cover an enormous amount of ground without a menu dive. MIDI, CV, expression, and external footswitch control keep it viable in a fully programmable setup.
Yes. Flip the MISO dip switch for mono in, stereo out, or run it fully mono.
9V DC center negative at around 200 mA. No battery operation.
A single change: it brings back the overdriven voicing for the Sympathetic Resonator (5B) heard in the early demos.
This listing is for a used example, inspected and tested before it ships.
Go wander around the museum.
| Weight | 1 lbs |
|---|---|
| Dimensions | 8 × 6 × 4 in |
| Product Condition | USED |
Typically ships within 5-7 days


The Chase Bliss Lost + Found is the company’s first true multi-effect pedal — twelve stereo effects, two independent channels, and 144 ways to combine them. It’s less a utility box than a collection of curiosities: phasing resonators, distant synths, swelling octaves, granular delays, and a handful of textures you won’t find anywhere else.
This is the 2026 edition in the black confetti finish, part of the Small Batch Bliss line of made-to-order special editions, and it ships with the 2.0 firmware that restores the overdriven voicing for the Sympathetic Resonator.
Each channel has a six-position toggle, and the Modify knob picks the A or B effect within it. Turn Modify counter-clockwise for one algorithm, clockwise for the other, or leave it at noon to bypass the engine and use Glue on its own. The left side covers Reverb (Slow-verb, Useful Ambience), Pitch (Orchestral Swell, Pitch Repeater) and Warp (Pinging Phaser, Spectral Modulator). The right side covers Delay (Tape Echo, Grain Tumbler), Synth (Impulse Synthesizer, Sympathetic Resonator) and Bend (Ensemble Expander, Gen Lite).
Run the two channels in parallel or in either series order, blend between them, and let Spill push your dry signal into the second engine. Glue, a compressor and saturator at the end of the chain, either finishes things off politely or blows them apart. Dip switches let you copy one channel’s bank to the other, so you can stack two delays, two reverbs, or two of anything.
True stereo in and out makes this an easy anchor for an ambient board, a synth chain, or a studio send, and MISO handles mono-in to stereo-out for a standard guitar rig. For players trying to replace three or four boutique boxes with one pedal, the 144 combinations cover an enormous amount of ground without a menu dive. MIDI, CV, expression, and external footswitch control keep it viable in a fully programmable setup.
Yes. Flip the MISO dip switch for mono in, stereo out, or run it fully mono.
9V DC center negative at around 200 mA. No battery operation.
A single change: it brings back the overdriven voicing for the Sympathetic Resonator (5B) heard in the early demos.
This listing is for a used example, inspected and tested before it ships.
Go wander around the museum.
| Weight | 1 lbs |
|---|---|
| Dimensions | 8 × 6 × 4 in |
| Product Condition | USED |
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