The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use.
The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII’s slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
The C414 XLII has been improved by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a dense mix. This signature upfront sound is also excellent for distant miking applications, making the C414 XLII ideal for classical music or drum ambience miking.
This multi-pattern workhorse mic sounds amazing on just about anything. The C414 XLII offers nine pickup patterns, which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure-8), you also get four intermediate settings that let you dial in the best in-between pattern to suit your application and environment.
If the nine polar patterns aren’t enough to get the sound you need, the C414 XLII offers a bevy of other control options to fine-tune the microphone to your needs. The C414 XLII offers three different bass cut filters and three switchable pre-attenuation pads at -6dB, -12dB, and -18dB. The mic also carries a clipping LED right on the face, so you know if you’re overloading it. And all the controls can easily be disabled for live sound applications.
Weight | 3 lbs |
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Dimensions | 6 × 9 × 9 in |
Product Condition | USED, NEW |
The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live sound applications and permanent installations, all controls can easily be disabled for trouble-free use.
The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII’s slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.
The C414 XLII has been improved by offering a slight presence boost and by providing the spatial reproduction capability of the legendary AKG C12 microphone. This characteristic response and spatial detailing makes lead vocals and solo instruments stand out, even in a dense mix. This signature upfront sound is also excellent for distant miking applications, making the C414 XLII ideal for classical music or drum ambience miking.
This multi-pattern workhorse mic sounds amazing on just about anything. The C414 XLII offers nine pickup patterns, which enable you to choose the perfect setting for every application. In addition to the five patterns traditionally offered by the C414 (omnidirectional, wide cardioid, cardioid, hypercardioid, and figure-8), you also get four intermediate settings that let you dial in the best in-between pattern to suit your application and environment.
If the nine polar patterns aren’t enough to get the sound you need, the C414 XLII offers a bevy of other control options to fine-tune the microphone to your needs. The C414 XLII offers three different bass cut filters and three switchable pre-attenuation pads at -6dB, -12dB, and -18dB. The mic also carries a clipping LED right on the face, so you know if you’re overloading it. And all the controls can easily be disabled for live sound applications.
Weight | 5 lbs |
---|---|
Dimensions | 11 × 9 × 6 in |
Product Condition | USED, NEW |
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